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Maya Chen is an HR consultant with over 10 years of experience in performance management and organizational development.
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Dracula Film Analysis – Luc Besson’s Passionate Reimagining of the Timeless Gothic Tale is Outlandish but Entertaining
Perhaps interest is limited for a fresh take of Dracula from Luc Besson, the French maestro for stylish excess. And yet, it has to be said: his opulently crafted vampire romance displays creativity and style – and in all its Hammer-y cheesiness, I’m not sure I wouldn’t prefer compared with Robert Eggers’s recent, solemnly classy version of Nosferatu. Odd details emerge, like a particular moment that looks like it presents a geographic divide between France and Romania.
Christoph Waltz as a Witty Yet Careworn Priest Tracking the Undead
Christoph Waltz plays a witty yet careworn man of the church pursuing the undead – it feels natural for him to tackle this character previously – who ends up in Paris in 1889 during the centennial of the French Revolution. The same goes for the malevolent vampire count, played by the body-horror veteran Caleb Landry Jones with a mangled central European accent reminiscent of Steve Carell’s Gru in the Despicable Me films. This character he seemed destined to play.
The Narrative: A Chronicle of Longing
The story is this: the vampire lord has traveled ceaselessly the globe in anguish over four centuries since he became undead, a consequence for his faithless sorrow following the loss of his wife, Elisabeta (a first film part for Zoë Bleu, daughter of Rosanna Arquette). Dracula has been searching, searching, searching for some woman who would be the rebirth of his deceased partner. By cruel fate, the lucky lady is revealed as Mina (portrayed once more by Bleu), the reserved future wife of Dracula’s feeble property handler, Jonathan Harker (Ewens Abid), who just traveled to Dracula’s fortress to discuss his property portfolio and the tiny painting of the lovely Mina drew the vampire’s attention.
Besson’s Direction and Comic Flair
Besson organizes Dracula’s flashback sequence of international journeys sporting extravagant attire skillfully, and he is not above giving us humorous scenes with a distinctly Mel Brooks flavour – for example Dracula’s ongoing failed efforts to commit suicide after Elisabeta’s death, in addition to comical sequences that follow Dracula sprays himself in a certain perfume during the 1700s in Florence, which causes him to be irresistible to women. Absurd yet engaging.
Dracula is available digitally from 1 December and on DVD and Blu-ray starting the twenty-second of December. It plays in Australian cinemas beginning on the fifth of February, 2026.
Shane Waters
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