Maya Chen is an HR consultant with over 10 years of experience in performance management and organizational development.
Six oddball but doughty kids encounter the way of a immense and terrible paranormal evil that has entered our realm from the farthest reaches of darkness. They have no choice but to devote their lives confronting it, enduring horror after horror in the process.
This outlines the narrative, in essence, of the master of horror’s iconic book It (his best; undeniable). It similarly frames of King’s son Joe Hill’s latest chilling tome, in which six friends call forth the primordial, utterly malevolent beast the Dragon King from the Abyssal Void to help them defeat some antagonists. As one might expect, their arcane ceremony backfires.
The author started his career going to great lengths to distance himself from his renowned parent, publishing under the pen name he maintains to this day and avoiding meeting his agent (he possesses a strong similarity to his dad). However, in his newest work, he embraces it. Several quotes that consciously reflect some of his father’s iconic (“The man in black fled across the desert …”); a scene that evokes a signature King element (a riddling contest). In this epic story, Joe Hill takes pleasure in his family connection, and the audience revels alongside.
Returning to the group: most are students at the made-up this academic setting in this northeastern locale. There’s Arthur, studious and intelligent, solving Old English riddles in his spare time; Colin, rich, astute, and inclined to bulldoze anyone who stands in his way; the twin siblings; the beautiful Allie. Additionally, Gwen appears, who doesn’t study with them, but assumes a vital role of their circle as they toy, half believing, half not, in the occult.
Arthur is, as a result of external pressures, obliged to take prized manuscripts from his beloved college library by a set of regional villains. This tears at his bookish heart, notably because he’s forced to acquire the library’s most valuable and disturbing title: the diary of practitioner this enigmatic character (executed “for dealing with infernal entities in 1703”; the binding is made from his skin). These young investigators examine the log, learn they can invoke what Crane describes as a “arrogant beast to aid our hero with his extortion dilemma – and devote the remaining story reaping the consequences. The dragon will undoubtedly remove those problematic neighborhood criminals, but they are required to pick a different victim annually or fall prey to the beast. In the character’s own words: “You sow dragon’s teeth, all you get is more dragons.”
Spanning forty years, the author shifts with effortless ease across narrative styles: as the allies strive to manage the predicament they find themselves in by, variously, selecting clearly malevolent individuals to sacrifice, or searching for methods to kill the dragon themselves, we go from thriller to shadowy tale, clandestine torment to affectionate subplot to fright. One particularly memorable shift was to a quest story, far beneath the surface below Cornwall, a segment sprinkled with JRR Tolkien that was wonderfully frightening.
We encounter trolls – bridge-dwelling ones and digital trolls, genuinely frightening and superbly depicted. The story includes mystic weapons and treacheries, breath-taking moments of bravery and ones of appalling malevolence, both mortal and supernatural. This is a remarkable achievement: a horror novel that is primarily a paean to the imagination, and to love and friendship. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the friends assemble around a surface, making preparations to call forth their serpent into existence with the strength of their collective will.
As Hill puts it in his epigraph: “Here be dragons”. Do not overlook this.
Maya Chen is an HR consultant with over 10 years of experience in performance management and organizational development.